Sunshine In My Bones

ES:MO (Elizabeth Shepherd & Michael Occhipinti)

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Sunshine In My Bones

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Sunshine In My Bones was born in a cabin at the Banff Centre for Arts and Creativity and a treehouse studio deep in Quebec's Laurentian forest, with two musicians jamming late into the night, letting the sound lead them. Read more

Sunshine In My Bones was born in a cabin at the Banff Centre for Arts and Creativity and a treehouse studio deep in Quebec's Laurentian forest, with two musicians jamming late into the night, letting the sound lead them. From hours of open-ended improvisation, Shepherd and Occhipinti carved out the kernels of songs: building melodies around samples of found sound into lush arrangements that blur the lines between electronic atmosphere and live-wire performance. “Instead of sitting down to write a song, we'd hit record and create improvised sound to see where it led us”, says Occhipinti. “We discovered we were pretty effective at jamming with sounds as well as grooves or chord progressions”. Shepherd adds, “Writing with another person forced me to relinquish control and open to new possibilities. The freedom to explore is the backbone of our partnership”. Shepherd brings seven solo albums of genre-defying art-pop and jazz to the table; Occhipinti has built a career as one of Canada's most versatile guitarists, known for his atmospheric, cinematic approach to the instrument. Together, they pushed each other beyond familiar territory. The album features four drummers: Larnell Lewis (Snarky Puppy), Jinu Isac, Marito Marques, and Tony Ferraro, each bringing a distinct personality to the record Across nine original tracks (plus a cover of Jason Isbell's "If We Were Vampires", the album moves between the weight of war and the warmth of connection, songs about love, loss, social inequality, and the stubborn case for hope in a cynical world.

“The world was feeling pretty cynical”, Occhipinti says. “We thought everyone needs a little more sunshine.” Shepherd puts it more bluntly: “Redemption can only happen if you face all the shit head on. That's what makes the light that much sweeter”.

Above all, the duo wants listeners to hear the album as an argument for human connection, reaching out while you can, finding beauty in brokenness, dancing even when you don't quite fit in. “Most of us feel these things together”, Occhipinti says, “which means we can harness the desire to do things differently together too”.

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    Sweet Tonight

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    If We Were Vampires

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Don't Want To Wait

ES:MO (Elizabeth Shepherd & Michael Occhipinti)

The 2nd single from the album Sunshine In My Bones (out May 15th) is a heartfelt call to tell the people you love how you feel now and without any hesitation. It features Elizabeth on vocals and electric piano, Michael on guitars and bass, and Tony Ferraro on drums.

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What You Want Can Never Be

ES:MO (Elizabeth Shepherd & Michael Occhipinti)

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What You Want Can Never Be

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The first single from ES:MO's upcoming release SUNSHINE IN MY BONES (out May 15) is out NOW! Featuring the amazing Larnell Lewis on drums, with Elizabeth Shepherd and Michael Occhipinti who play everything else.

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Sunshine In My Bones is a  celebration of ES:MO's compositions built on hours of improvised jam sessions, samples of washing machines, voice and guitar loops, synth stylings and the vision of two great friends who recognize the magical connection they have when they improvise music together.  Art pop for curious ears, the collection of genre-bending, all-original material features collaborations with some of their favourite drummers. 

The lyrics are at times cheeky and playful, at times more earnest as they tackle the things ES:MO hold dear – sharing love in the moment and among tulips, the tragedy of war on battlefields or among social classes, bucking convention, and ultimately, how to keep the sun shining bright through strange and dark times.

TORONTO area fans please get your tickets to our May 23 release at www.hughsroomlive.com!

If We Were Vampires

ES:MO (Elizabeth Shepherd and Michael Occhipinti)

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ES:MO's cover of Jason Isbell's beautiful and haunting classic.

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Genre-less creativity ”

Check out this super artful video our friend Howie Shia did for of version of Nick Drake's “Riverman” (as featured on The Weight of Hope):

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